For spooky track series entry 3, I have chosen Joan Crawford by Blue Oyster Cult. This is one freaky song, and not just because of the allusion to the Phantom of the Opera.
Now, what makes this song a worthy spooky track Series 3 installment is the horror Eric Bloom describes. Here we see a world where junkies in Brooklyn go crazy and laugh like dogs, while policemen hide behind the skirts of little girls. These first images set the stage for the rest of the song, and let the listener know all is not well.
To be fair, and to repeat myself, the intro piano sets the stage for the fear to come. But then the drums, guitar and bass kick in, thumping and thudding. Finally, the vocals start, and they are full of the whining plea of someone who has seen horrors beyond imagination. Throughout the song the drums and bass keep a refrain that almost feels like the jerky movements of a zombie. This is fitting, as the song is about Joan Crawford’s return from the grave. And really, that’s what makes this song so unsettling. The driving percussion of the band helps us visualize Joan’s rotting corpse, moving twisted and jagged as she searches for her daughter.
As for the lyrics, schoolgirls throw away their mascara and chain themselves to big Mac trucks. This is not rational behavior, further solidifying the creepy factor of the song. Near the end, there is a cacophony of noise that threatens to overwhelm the senses, before that thrumming bass beat returns. And with that bass beat comes the gravelly whisper: “Christina, Mother’s home. Come to mother.”
Guaranteed to give you goosebumps. I hope this spooky track series 3 selection surprised you. Let me know what you thought. Leave a comment.