Colossal A Movie About a Woman and a Toxic Man

Recently I watched Colossal, starring Anne Hathaway, Jason Sudeikis, and Dan Stevens. The premise of the movie is elegantly unique. Hathaway plays an online writer whose life is spiraling out of control. She’s got a drinking problem, which leads boyfriend Dan Stevens to kick her out. In desperation, she returns to her home town and things go from bad to worse.

This is a kaiju movie, to be sure, but it’s different. First of all, the focus isn’t on the monsters so much as the people in Colossal. Why? Well because the monsters are tied to specific people and to specific places. This approach to the genre is exciting and helps the movie succeed on many levels. What also helps is that Hathaway is as charming as ever, even when she’s a drunk jerk.

The image shows the monster from Colossal on a laptop screen as Anne Hathaway stares out the window.

Hathaway’s character Gloria discovers that she is tied to or controlling the monster that’s attacking Seoul. It manifests in a certain park that she walks through while drunk. Once she does, she makes every effort to stop destroying the South Korean capital. Unfortunately for her, her new boss Oscar is also tied to the destruction in Seoul. Only instead of being a giant monster, Oscar manifests as a giant robot.

From the moment we meet him, the film presents Oscar as a bit of a creep, but generally a decent dude. Of course, appearances are deceiving, and that is especially true in a movie where giant monsters act as avatars for humans. Soon, Oscar, who obviously has a lifelong crush on Gloria, starts to show that he’s not a great guy after all. He delivers furniture and other items to her, saying that they discussed the things the night before. She doesn’t remember, but she accepts the gifts anyway.

Colossal Turns From Fun to Scary In the Blink of an Eye

Soon, however, Oscars affections turn even more sinister, as he reveals his true self. When he learns of his connection to the giant robot menacing Seoul, he decides to use that knowledge to control Gloria. And that is the crux of Colossal; men trying to control women. The film takes care to present Gloria as flawed but generally well meaning. Oscar, on the other hand, is flawed and full of ill-intent.

This dynamic shifts what could have been a fun monster movie into more psychological territory and an exploration of abuse. Gloria threatens to leave her home town and go back to her old life. Oscar says of course she can do that, but he will attack Seoul every day until she returns. This is abuse 101, and adds a real sinister aspect to the proceedings. This element has more power because of how genial and goofy Sudeikis is, even in this film. He’s playing against type here, and it works quite well.

Overall, I quite enjoyed this movie, though at times it was difficult to watch. I am glad that there was no sexual assault because that would have been an easy and lazy trope for the filmmakers to fall into. However, make no mistake, there is plenty of abuse in this movie, both physical and emotional. It’s well worth a watch, IMHO.

Have you seen Colossal? What did you think? Let me know in the comments.

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